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In a novel that is at once intense, beautiful, and fablelike, Lloyd Jones weaves a transcendent story that celebrates the resilience of the human spirit and the power of narrative to transform our lives.
On a copper-rich tropical island shattered by war, where the teachers have fled with most everyone else, only one white man chooses to stay behind: the eccentric Mr. Watts, object of much curiosity and scorn, who sweeps out the ruined schoolhouse and begins to read to the children each day from Charles Dickens’s classic Great Expectations.
So begins this rare, original story about the abiding strength that imagination, once ignited, can provide. As artillery echoes in the mountains, thirteen-year-old Matilda and her peers are riveted by the adventures of a young orphan named Pip in a city called London, a city whose contours soon become more real than their own blighted landscape. As Mr. Watts says, “A person entranced by a book simply forgets to breathe.” Soon come the rest of the villagers, initially threatened, finally inspired to share tales of their own that bring alive the rich mythology of their past. But in a ravaged place where even children are forced to live by their wits and daily survival is the only objective, imagination can be a dangerous thing.
From the Hardcover edition.
- Sales Rank: #69206 in Books
- Brand: Jones, Lloyd
- Published on: 2008-05-20
- Released on: 2008-05-20
- Original language: English
- Number of items: 1
- Dimensions: 7.50" h x .60" w x 5.10" l, 1.00 pounds
- Binding: Paperback
- 272 pages
From Publishers Weekly
A promising though ultimately overwrought portrayal of the small rebellions and crises of disillusionment that constitute a young narrator's coming-of-age unfolds against an ominous backdrop of war in Jones's latest. When the conflict between the natives and the invading redskin soldiers erupts on an unnamed tropical island in the early 1990s, 13-year-old Matilda Laimo and her mother, Dolores, are unified with the rest of their village in their efforts for survival. Amid the chaos, Mr. Watts, the only white local (he is married to a native), offers to fill in as the children's schoolteacher and teaches from Dickens's Great Expectations. The precocious Matilda, who forms a strong attachment to the novel's hero, Pip, uses the teachings as escapism, which rankles Dolores, who considers her daughter's fixation blasphemous. With a mixture of thrill and unease, Matilda discovers independent thought, and Jones captures the intricate, emotionally loaded evolution of the mother-daughter relationship. Jones (The Book of Fame; Biografi) presents a carefully laid groundwork in the tense interactions between Matilda, Dolores and Mr. Watts, but the extreme violence toward the end of the novel doesn't quite work. Jones's prose is faultless, however, and the story is innovative enough to overcome the misplayed tragedy. (July)
Copyright � Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From Bookmarks Magazine
Winner of the Commonwealth Writers' Overall Prize for Best Book and short-listed for the Booker Prize, Mister Pip delighted critics with its beautiful prose, compelling characters, and humane exploration of literature's power. They especially lauded Matilda, who learns to identify with Pip and, in the process, heals the rift with her mother. Not every scene is heartrending, however: this story is framed by rape, murder, and civil war. Some reviewers noted a few whiffs of paternalism from the author, some awkward dialogue, too much foreshadowing, and an odd ending. But in its exploration of how literature can bring joy amid great suffering, Mister Pip is a heartwarming and worthwhile coming-of-age novel.
Copyright � 2004 Phillips & Nelson Media, Inc.
From Booklist
*Starred Review* This prizewinning novel by New Zealand author Jones is an eloquent homage to the power of storytelling. Thirteen-year-old Matilda is at a loss to understand the violence that has torn apart her tropical island. Her village, caught in the cross fire of the conflict between government troops and local armed rebels, has lost its teachers. The only white man to stay behind, the eccentric Mr. Watts, married to a local woman who is generally thought to be mad, takes over the post as teacher and begins to read to the class from his favorite novel, Charles Dickens' Great Expectations. Initially flummoxed by the meanings of such alien words as frost and moors, Matilda and her classmates soon become entirely riveted by the story and identify so heavily with the orphan Pip that Victorian England becomes more real to them than their own hometown. Provided with firsthand evidence of the power of imagination, Matilda increasingly sees it as a way to survive and even thrive amid the chaos of civil war. The accessible narrative, with its direct and graceful prose, belies the sophistication of its telling as Jones addresses head-on the effects of imperialism and the redemptive power of art. Wilkinson, Joanne
Most helpful customer reviews
146 of 150 people found the following review helpful.
"There Is No Frigate Like A Book"
By Foster Corbin
Emily Dickinson's famous lines "there is no frigate like a book to take us miles away" could not be more apropros of Lloyd Jones' magical MISTER PIP. Matilda, the narrator, is a black child entering puberty living in New Guinea when we first meet her. Her beloved father has left her and her mother to seek his fortune in Australia and try to, in the words of her mum, "turn into a white man." Matilda becomes fascinated, as does the reader, with the only white man on her island, Mr. Watts (some days he wore a red clown's nose), nicknamed by the children of the village "Pop Eye." His wife is a black woman named Grace whom he often pulls around on a trolley. When war breaks out and many people flee the settlement, Mr. Watts teaches the remaining island children. He reads aloud to his spellbound students Charles Dickens' GREAT EXPECTATIONS, which he describes as the greatest novel by the greatest English writer of the nineteenth century. Dickens' character Pip makes an indelible impression on the young Matilda and becomes much more real to her than dead relatives. Much of the conflict in this beautifully crafted story has to do with the tension between Mr. Watts, who does not believe in a god, and Matilda's mother Dolores, a devout believer in the Good Book. Matilda sees many parallels between her life and that of the fictional Pip. As an adult she remembers his confession,"it is a most miserable thing to feel ashamed of home" and thinks of her island. That passage and many others she sees as "personal touchstones."
Mr. Jones' narrative will hold you in its spell, and you will long remember Mr. Watts. Like many teachers, he is part charlatan, part magician, but also a kind and loving mentor. He is more alive than many of the people on the nightly news-- and certainly more decent-- and as real as William Styron's Sophie, John Updike's Rabbit or Thomas Hardy's Tess.
MISTER PIP says wondrous things about the power of the imagination, the permanence of storytelling-- when the novel is lost, Mr. Watts and his students remember fragments from it and write them down-- kindness and courage. The author is a wizard with words, but he also lets his characters make profound statements about life as well. For example, the Jones' ocean shuffles up the beach and draws out; Matilda hears "the lazy flip-flop of the sea--so much louder at night than during the day" and Mr. Watts defines the word "opportunity" to his students: "'The window opens and the bird flies out.'" Matilda, from reading this one book of Dickens, finds out that "you can slip under the skin of another just as easily as your own, even when that skin is white and belongs to a boy alive in Dickens' England. Now, is that isn't an act of magic I don't know what is." Another character muses on youth and age: "' Everyone was young in those days. That's the main complaint you hear from people who are getting old. You stop seeing young people. You begin to wonder if there are any left and whether there were only young people when you were young.'"
When you finish this haunting and intense story, you very well may want to reread the Dickens' account of the young Pip and his journey to becoming a gentleman. I know I do.
46 of 49 people found the following review helpful.
Wondrous--An author of world-standing literary ability
By B. Case
"Mister Pip" by Lloyd Jones is the wondrous coming-of-age story about Matilda Laimo, a 13-year old Papua New Guinean child living on the island of Bougainville. It is an enchanting, lyrical, lush, and politically powerful tale by a prize-winning author of world-standing literary ability. The book has already won the 2007 Commonwealth Prize for literature and is currently among thirteen titles longlisted for the 2007 Booker Prize. It has been sold for distribution in the United States for an unprecedented sum; even if the author fails to win the Booker Prize, it will still make him a millionaire. If the book wins the Booker Prize, it is destined to be a big-time modern literary and popular crossover bestseller.
The story is set in 1991. The mainland Papua New Guinean government is involved in a civil war with the inhabitants of Bougainville, a large island off its southeastern edge--an island abundant in gold and copper resources. The population and culture of Bougainville is more similar to the Solomon Islands archipelago. where it belongs geographically rather than to any of the diverse mainland tribes of Papua New Guinea. As the novel begins, the child is barely aware of the conflict. She is black, and she views the invading government forces as foreign redskins.
Matilda lives in a tranquil primitive coastal village of no more than 60 people. They live in dirt-floored huts, and easily get all the food they need from the surrounding bountiful jungle and ocean. But in 1991, everything changes when the government chooses to blockade the island. Subsequently, all white people, including the village's teacher, missionary, doctor, etc., take the last boat off the island. All leave except Mr. Watts, an eccentric white man living a reclusive life with his black island wife in an old missionary house near the village--a house completely hidden by tall grass left uncut for decades. As the blockade progresses, all supplies slowly go scarce, then disappear altogether. There are no more canned foods, no more gasoline for the electrical generators, no more medicines. Babies start dying once again from malaria. The island children, freed from school, are aimless. The island quickly and easily returns to the way that life has been lived there for thousands of years.
The author, Lloyd Jones, knows this subject first-hand--he served as a journalist in Bougainville "where the most unspeakable things happened without once raising the ire of the outside world." And that is indeed true. I consider myself well informed on world matters, yet before I read this novel and did some background research about the setting, I had no idea about the great inhumanity that this island endured during its 10-year-long civil war. The war ultimately cost the lives of more than 11% of the island's inhabitants...and the world, for the most part, completely ignored the events.
Violence does occur in this novel, and it is "unspeakable," but the author treats this subject carefully--we are spared undue shock, and it is not the focus. This book can, and will, appeal to all readers, including young adults.
The main story begins when Mr. Watts decides to reopen the schoolroom and become the village's temporary teacher. He teaches the children by reading aloud Charles Dickens' "Great Expectations." The children quickly become totally entranced. They fall in love with the books main character, Mister Pip. Lovingly, Matilda builds an oceanfront shrine to Mister Pip--a fictional character that has become more alive to her than anything else in her impoverished environment. But this simple act of love brings violence into her life and the life of her community. The government "redskins" see the shrine from their helicopters and are sure that Mister Pip is a hidden rebel leader.
For me the most wondrous aspect of this novel is the prose--completely fresh and original. There is a rhythmic quality to the writing that is wholly new, and hard to analyze. The prose has a lovely and lyrical overall simplicity. The writing compelled me inside the story; I became part of that alien, primitive world.
There is an important moral message within this novel. According to Mr. Watts: "to be human is to be moral, and you can't have a day off when it suits." Personally, it makes me think about the fact that we are all living on a large island--planet Earth. Like Bougainville, Earth is rife with conflicts and, for me, the most important are environmental degradation and global warming. Are we going to do the moral thing, even if it doesn't suit?
So far I have read two other novels shortlisted for the 2007 Booker Prize: "On Chesil Beach: A Novel" by Iwan McEwan, and "The Reluctant Fundamentalist" by Mohsin Hamid. Each I have reviewed on Amazon, and recommend highly. They all are exceptional examples of modern literarature, and all have important messages to convey.
36 of 40 people found the following review helpful.
The Power of Storytelling
By Eric Anderson
This novel is narrated by a black girl named Matilda who is reflecting on her time growing up in an island's small village on the fringes of war-torn Papua New Guinea. The village regularly receives news and gossip about the ongoing conflict between the perceived "red-skin invading government" and the black rebels made up of many young men from local villages. They hear about the vandalism and destruction of communities as well as the gruesome murder of many innocent civilians caught in the civil war. However, Matilda is only vaguely aware of this happening in the back ground. At first, she's more concerned with the daily details of life with her protective mother (her father left them some time ago to do business in Australia), playing with her friends and wondering about the local oddity - Mr. Watts (or Pop Eye as the children call him), the only white man in the village, who is occasionally found pulling his mysterious black wife in a cart while wearing a red clown nose. When the children are left with no teacher, Mr. Watts surprisingly comes forward to educate all the local children. However, with no formal teaching skills, he spends the majority of class time reading aloud to them from the novel Great Expectations. Matilda is enraptured by the story and comes to think of its characters as her friends, finding common themes between Pip's life and her own. However, her strict Christian mother is less than pleased about the way Mr. Watts is influencing her daughter. When the fighters come to Matilda's small village, the girl's adoration for the character Pip inadvertently causes a conflict which throws the village into chaos and threatens their peaceful existence.
Jones masterfully re-creates life within this small village using straight-forward, beautifully-wrought prose. He describes the way in which storytelling can powerfully affect people, letting their thoughts and experience meld with the tales to make them wholly personal and unique. The author also manages to subtly make original and profound statements about racial differences. When scenes of horrific violence appear they are delivered with heart-breaking simplicity rather than artistic flourishes. Jones shows the slow painful destruction which war brings, exhausting and maiming the fighters, creating upheaval and chaos in the lives of ordinary citizens and tarnishing the future of the innocents. This is what makes Mister Pip a truly universal tale accessible to anyone. The thing which is shown to survive, beyond all the villagers' physical possessions, is their imagination and memory. They are what allow Matilda to reconnect with her past and rebuild her identity out of the ashes. She eventually discovers Mr. Watts has hidden stories of his own as does her beloved author Mr. Dickens. Though she endures a painful amount of hardship, it feels like a kind of victory that Matilda's own story can survive despite her childhood world being erased by the march of history.
This is only the first of New Zealand author Lloyd Jones' numerous novels to be published in the UK and US. Hopefully, his back catalogue will become available to the west soon.
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