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- Sales Rank: #333545 in Books
- Published on: 1996
- Binding: Hardcover
Most helpful customer reviews
3 of 3 people found the following review helpful.
Epiphanous.
By ConcupusAl
I waited a long time before reviewing this book because the experience is so visceral/powerful/epiphanic that I hesitate to say anything because I know I cannot do it justice. Before my introduction to DFW, I had no favorite author. Before reading IJ, I had no favorite book. I've always thought that limiting myself to one favorite book or author is impossible but no one before or since have spoken to me as he has.
The book has 3 major sections:
Hal and his friends attend Enfield Tennis Academy. The school is run by Hal's mom and it is a prestigious learning center both scholastically as well as for tennis. The school regularly funnels their attendants to high ranked colleges which eventually lead to places in the "show". Hal and his friends are smart, they work hard, are overly stressed and dabble in drugs.
Hal is part of the Incandenza Family which consists of their father who blew his head off in the microwave. Mother who runs the school and Hal's deformed but loved younger brother that follows him around. Previous to his death the father created an entertainment that was so powerful that it leaves people unable to stop watching which causes their death.
Now we also have Les Assassins des Fauteuils Rollents who are french Canadian separatists They are seeking the video in order to decimate the U.S. population.
If this isn't enough we also have the Ennet House Recovery program which is on the same property as the tennis academy. We get an introduction to life in a 12 step program for recovery because we get a lot of the work drone on the academy by these recovering residents.
While the summary I'm giving is very general. The magic is that while reading in each section the book becomes more understandable. IJ requires paying attn. There are footnotes after footnotes and not reading the footnotes will mean you lose a significant part of the story.
My outline is very general I will refrain from talking about the model that was Madame Pyschosis, the various convoluted relathionships in the Incandenza family. I would focus more on what I enjoy.
I've been someone who has dealt with addiction issues and the pieces regarding Ennet HOuse Recovery ring true for me and his quirky but detailed description of the meetings are spot on.
Finally DFW converges all these things into a final scene. While not all of it are resolved we see enough of it to gather how the future will unfold.
This description is haphazard but the join is actually in the reading of the book. DFW's prose is like none other. He is a genius of word play, grammar play, and just sliding in the perfect sentence.
There's a lot of footnotes and I strongly suggest you read all of them. They are not just tangential information but they also add to our knowledge of events/characters.
I rarely read a book twice. IJ I read twice and likely will re read again. He speaks to me in a way that I'm sure is sui generis. As a kid looking for a mentor to write in a highly literate way, who talks about things I'm interested in: depression, addiction: family. It just hit me at the write time to be that special something.While I won't go so far as to say IJ is my religion (creepy!) I definitely come away with some teachings that I can implement into my life.
2 of 10 people found the following review helpful.
A review by Dr. Joseph Suglia
By Joseph Suglia
A review of INFINITE JEST by Dr. Joseph Suglia
The writings of Voltaire and Lessing are the magna opera of neo-classicism. The paintings of Caspar David Friedrich, the symphonies of Schumann, and the works of Schelling are the magna opera of German romanticism. Joyce's ULYSSES is the magnum opus of European modernism. The poems of Trakl, the paintings of Kirchner, and the dramas of Wedekind are the magna opera of German expressionism. The films UN CHIEN ANDALOU, L'AGE D'OR, and VIVA LA MUERTE are the magna opera of surrealism.
INFINITE JEST (1996) by David Foster Wallace is the magnum opus of American hipsterism.
What is a "hipster," you ask? A hipster is one who has what Hegel described as an "unhappy consciousness": He is a self that is at variance with itself.
* * * * *
Anyone who has spent any time in academia will instantly recognize Wallace's pedigree upon opening this book. Wallace was an academic writer. Unhappily, all connotations of "academic" are intentional. That is to say, the book is both fantastically banal and seems to have been composed, disconsolately and mechanistically, in a registrar's office. It is not arbitrary that the narrative begins in the Department of Admissions of a tennis college. The language here recalls the world of registration and withdrawal forms and the world of classrooms where works such as this are spawned, dissected, and pickled -- the world of the academic industry.
Wallace: "Matriculations, gender quotas, recruiting, financial aid, room-assignments, mealtimes, rankings, class v. drill schedules, prorector-hiring... It's all the sort of thing that's uninteresting unless you're the one responsible..." [451].
I wonder if anyone besides Wallace has ever found these things interesting.
Since no one else has taken the trouble to encapsulate the narrative, permit me to attempt to do so here. The novel seems to have two diegetic threads and a meta-narrative. The first thread concerns the incandescent descent of Hal Incandenza, teenager and tennis student, into drug addiction. (Well, no, it isn't quite incandescent, not quite luciferous, at all, but I liked the way that sounded.) The second outlines the shaky recovery of Don Gately, criminal, from Demerol. The "woof," I imagine, details the efforts of a cabal of Quebecois terrorists to inject a death-inducing motion picture of the same title as this book into the American bloodstream. All of this takes place in a soupy, fuzzy future in which Mexico and Canada have been relegated to satellites of the onanistic "Organization of North American Nations." Predictably, and much like NAFTA, America is at the epicenter of this reconfiguration.
It is hard to care about any of this. If Wallace had written fluidly, things would have been otherwise. It is not that the book is complex, nor that its prose is burnished (if only it were!). The problem is much different: The sentences are so awkwardly articulated and turgid that the language is nearly unreadable. You wish that someone would fluidify the congested prose while struggling with the irritation and boredom that weave their way through you.
There is literary litter everywhere. No, "nauseous" does not mean "nauseated." No, "presently" does not mean "at present." Such faults are mere peccadilloes, however, especially when one considers the clunkiness of Wallace's language. A few examples:
1.) "The unAmerican guys chase Lenz and then stop across the car facing him for a second and then get furious again and chase him" [610]. I am having a hard time visualizing this scene.
2.) "Avril Incandenza is the sort of tall beautiful woman who wasn't ever quite world-class, shiny-magazine beautiful, but who early on hit a certain pretty high point on the beauty scale and has stayed right at that point as she ages and lots of other beautiful women age too and get less beautiful" [766]. It would take more effort to edit this see-Spot-run sentence than it did, I suspect, to write it.
3.) "The puppet-film is reminiscent enough of the late Himself that just about the only more depressing thing to play attention to or think about would be advertising and the repercussions of O.N.A.N.ite Reconfiguration for the U.S. advertising industry" [411]. This is a particularly representative example of Wallace's heavy, cluttered style -- a sentence larded with substantives.
4.) "So after the incident with the flaming cat from hell and before Halloween Lenz had moved on and up to the Browning X444 Serrated he even had a shoulder-holster for, from his previous life Out There" [545]. So... Lenz moves "on and up" to a knife... "from" his previous life? If this is a sentence, it is the ugliest I've yet read.
To say such a thing would be to say too little. Nearly every sentence is overpoweringly ugly and repellently clumsy. Not a single sentence--not one--is beautiful, defamiliarizing, or engaging. I am sorry to write this, but INFINITE JEST is a joylessly, zestlessly, toxically written book and the poisonous fruit of academic bureaucracy.
* * * * *
A few valedictory words: It would be tasteless--raffish, even--to malign the literary estate of a recent suicide. Wallace was nothing if not intelligent, and his death is a real loss. Had he lived longer, he might have left us books that impress and delight. Let me advise the reader to avoid this plasticized piece of academic flotsam and pick up and at instead BRIEF INTERVIEWS WITH HIDEOUS MEN, his true gift to the afterlife and the afterdeath.
Dr. Joseph Suglia
8 of 32 people found the following review helpful.
Why Doesn't This Novel Have a Plot?
By Steve R. Yount
The first 80 or so pages seem mainly to be seperate, unrelated, historical episodes or facts. I stopped because I saw no hint that a tradional-style plot would ever develop. I might start again if someone let me know how many more pages it takes for that to happen.
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